Cinquanta manifesti dal 1909 al 1941 che spaziano lungo tutta l ampia teorica elaborata da Filippo Tommaso Marinetti e dagli altri membri del Movimento futurista: dal mitico manifesto di fondazione pubblicato sul «Figaro» di Parigi il 20 febbraio 1909, e doppiato a stretto seguito dal celebre «Uccidiamo il chiaro di luna!», ovvero il «proclama di guerra» con cui nel settembre 1909 Marinetti rispondeva «agl insulti di cui la vecchia Europa ha gratificato il Futurismo trionfante», fino al «manifesto d aeropittura di guerra» del 1941. L insieme, in condizioni più che buone quando non ottime, è conservato in apposito contenitore su misura in piena pelle nera decorata in rosso con il celebre motivo futurista del «Pugno di Boccioni» disegnato da Giacomo Balla. Milano, Direzione del Movimento futurista, 1909 - 1941, Collezione completa di tutti i manifesti futuristi nelle edizioni definitive ufficiali in italiano. Limited Edition: Fine in wrappers and a Fine printed acetate dust jacket. All photographs Fine, and housed in a Fine custom box. Portfolio includes: four 16 x 20 inch prints, twelve 7 x 9.5 inch prints, nine 5.25 x 7.25 inch prints, and twenty-two 11.5 x 9.5 inch prints, housed in a custom box. A versatile and multifaceted artist, Bramly later returned to Paris to host Europe's "Yo! MTV Raps" before creating a series of documentaries on sex and music, then going on to start her own production company that focused largely on female-oriented pornography. Featuring Afrika Bambaataa, Kool Herc, Russell Simmons, The Beastie Boys, Run DMC, Keith Harring, Futura 2000, Herbie Hancock, The Furious Five, and more, this portfolio contains images of some of hip hop's greatest early innovators. The early, largely-African American scene represented a positive creative alternative to the poverty-related violence often found in the South Bronx, and has since become such a ubiquitous force that its stylistic influence can be found in nearly every facet of modern American culture, including language, clothing, dancing, and the use of DJ sampling. Compelled by the raw, vibrant energy of rap and hip hop, Bramly captured the outcast scene before it was considered a commodity, at a time when only a handful of clubs featured the music. Photographer Sophie Bramly left her native France to spend four years immersing herself in hip hop, becoming close friends with many artists, dancers, and their families. Arguably the most important photography portfolio documenting American hip hop that has ever been published, "Walk This Way" intimately showcases the burgeoning genre's emergence in 1980s New York, as captured via scenes backstage, in the homes of the artists, at art galleries, and of course while performing. 058) containing a signed and numbered print by Bramly. Also included is a copy of the limited edition softcover, published by Galerie 213, one of 500 copies (this being no. Housed in a gold and red multi-tiered custom box. Signed and numbered by the photographer on the limitation page, and again on the verso of each photograph. 1) of photographer Sophie Bramly's portfolio of 47 matte finish photographic prints in both black and white and color, depicting the emerging hip hop scene of 1980s New York.
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